We craft memorial films, legacy interviews, and family documentary tributes. Quietly produced, entirely remotely, for families anywhere in the world. No crews, no pressure, no rush. Just time, attention, and the kind of film a family watches twenty years from now.
Everything happens remotely. Four quiet stages, from the first conversation to a film delivered into your hands.
A private call to understand who the film is for, what kind of story you'd like to tell, and what feels right for your family.
You share photographs, voice notes, letters, and any footage you already have. We provide a simple, secure upload space.
If the film includes spoken memories, we record an unhurried interview from your home. No crew, no cameras to be afraid of.
We edit with care, share a private cut for gentle revision, and deliver a finished film that's yours to keep, share, and watch.
Each film is bespoke. These are starting points. Most families adapt one to fit their story, their timeline, and their budget.
Made from photographs, voicemails, voice notes, and any home footage your family can find. Often shown at funerals, memorial gatherings, or shared privately afterwards.
A longer film woven from a thoughtful remote interview, photographs, places, and quiet observation. Most families choose this when the subject is still living, or for the first anniversary of a loss.
Multiple interviews, generations in conversation, archival restoration, and a fuller score. The kind of film a family screens together at the next holiday, and then keeps for the children's children.
Every film is priced individually after we speak. The figures above are honest starting points; never a ceiling, and never a quote in disguise.
You don't need to be organised, or have boxes of perfect photographs. Most families come to us with a quiet bundle of memories, and that's almost always enough to make something beautiful.
If something is missing or hard to find, we'll help you look. Gently, and only as much as you'd like.
The interview is the heart of most films. We've refined a way of recording it remotely that feels closer to a kitchen-table conversation than a film shoot.
An hour together, learning about you. No script you have to follow, no questions you'll be asked twice. By the time we record, we already know each other.
For premium tiers we send a small, labelled kit: microphone, simple lighting, return envelope. A teenager could set it up in ten minutes. Truly.
Two to three hours, with breaks. You speak, we listen. There is no right or wrong answer to anything. Most families say it was easier than they feared.
Within a week you'll have every word transcribed, including those that don't make the film. Many families come to treasure this most of all.
We sit with the material for as long as it takes. The first cut is rarely the final cut. Music is chosen last, never first.
A private high-resolution file, no watermarks, no time limits. We hold a backup. You decide who else, if anyone, ever sees it.
Our films lean toward documentary. Soft photographic colour, long held frames, real voices, and music that supports rather than steers.
Anything missing here, we're happy to talk through on a call. There's no commitment in asking.
I learned that the most ordinary stories. A recipe, a daily walk, the way someone laughed. Those are the ones families come back to. My job is to listen carefully enough to find those stories, and to hold them in a film you'll still want to watch in twenty years.
Every film is made personally. There is no large team, no production line. When you write to us, you are writing to the person who will be in the call with you, in the edit, and at delivery.
Whether the film is for a service next month, a birthday next year, or a parent you simply don't want to lose the sound of, we'll meet you where you are.
Calls are confidential. Nothing is committed in a first call.
There is no commitment in a first message. We'll simply read what you've written, reply personally, and, if it feels right, set up a quiet call.